3 Evenings: Sunday
Experiments in Performance and Technology.
Part of 3 Evenings: Experiments in Peformance and Technology
| Dates | Sun 18 Oct 2026 |
| Times | 3.30pm–8pm |
| Price | £25 (General) £20 (Concessions) |
Artists in Residence
This event is part of 3 Evenings
Framed across three different live performance experiments each night, contemporary artists explore what it means to perform with technology now. The final 3 Evenings event invites Ligia Lewis and Earshot (Lawrence Abu Hamdan, Caline Matar, Fabio Cervi, Renate Baumane, Hyeongji Yang) to the former hydraulic power station, alongside world premieres of newly commissioned interactive installations from Ayoung Kim, Keiken, Xin Liu and more, across all evenings.
Earshot (Lawrence Abu Hamdan, Caline Matar, Fabio Cervi, Renate Baumane, Hyeongji Yang): Slapback
In this newly commissioned live performance, live ear witness interviews, extending from Earshot's development of custom built “earwitness” software designed to solicit and reconstruct sonic memory, build an improvisational and spatialised sound composition inside 25 Wapping Wall.
The piece draws on recorded audio while introducing real-time processes in which audience members’ memories are reconstructed through 3D modelling and digital synthesis, unfolding as a collective acoustic memory palace built in front of a live audience. Rather than presenting the direct voice of the witness, these reconstructions manifest as layered fields of voices, ambient textures, and mediated transmissions, spatialised across a four-channel sound system.
Ligia Lewis: The Rant That Can't
Set within the resonant architecture of the power station and shaped by augmented 4D sound design, the space becomes an active participant, catching and amplifying each utterance.
The work unfolds through an embodied exploration of arrested speech. A single voice, or at times a shifting chorus, attempts to deliver a rant that never fully arrives. Words falter, repeat, collapse, and reform as chants or partial songs. Fragments of speech loop and echo through the space, building a rhythm that moves between play and strain. What begins as an effort to communicate becomes an exploration of communication’s failure.
3 Evenings is a playful reimagining of the 1966 event 9 Evenings: Theatre and Engineering, considered a pivotal moment in the history of artists working with new technologies. A three-night event and international transmission, it will bring Somerset House Studios’ distinctive approach to interdisciplinary experimentation offsite to east London’s 25 Wapping Wall.
3ETV, an interactive TV channel and evolving digital artwork broadcasting beyond the live event, will extend the project online, in partnership with Pioneer Works (NYC) and HEK (House of Electronic Arts) in Basel.
3 Evenings is supported by Glass Castle Foundation.
Biographies
Earshot
Earshot is the world's first non-profit organisation using sound in the defense of human and environmental rights. Building on over a decade of research and advocacy, Earshot transforms sound into a tool of justice and restores the soundtrack as a site of evidentiary power. From the sharp crack of gunfire to the oppressive hum of drones, our investigations treat sound as both an acoustic trace of violence and a means of control.
Using cutting-edge audio forensic analysis techniques, we add a crucial but often overlooked dimension to the field of human rights research. While image and spatial analysis have become widespread in the last decade, until now, the acoustic dimension of events has remained largely unexplored.
We collaborate with international media, human rights organisations, legal teams, grassroots movements, and affected communities to produce investigations that hold power accountable, shift public perception, and amplify voices too often unheard.
We produce expert audio evidence no other organisation is equipped to deliver — strengthening calls for accountability in courtrooms, public forums, and international advocacy campaigns. Beyond investigative casework, we conduct original research, publish field-building analysis, and develop new techniques with each investigation. We produce forensic reports for courts, 3D acoustic reconstructions for media partners, and explanatory materials that make complex audio analysis accessible.
Ligia Lewis
Ligia Lewis is an artist, choreographer, dancer, and director, and a central figure in redefining contemporary performance. Working across stage, exhibition, and film, her works are marked by physical and emotional intensity, where comedy and tragedy collide.
Recent commissions include Wayward Chant for Gropius Bau / Berliner Festspiele. A Plot / A Scandal for the Center for Arts, Research, and Alliances (New York) and Sensation 1/This Interior (High Line Commission). Lewis participated in the 2024 Whitney Biennial.
Header Image: Ligia Lewis, Wayward Chant, Gropius Bau, 2025. Photo by Rosa Merk.