The Violence of Money: Lina Džuverović in conversation with Kathrin Böhm
| Dates | Sat 6 Jun 2026 |
| Times | 2pm |
| Space | River Rooms (and live on Montez Press Radio) |
| Price | Pay What You Can |
This event is part of the Artists' Fair 2026
A frank and informative conversation confronting the practical realities of financially making it work as an artist. This discussion aims to demystify investing, saving and what to do with your money, exploring how artists might better support their future selves and secure stability in later life.
Image credit: Here Come the Ants, page from London’s Artworld Economies, publication by Rosalie Schweiker, commissioned by Centre for Plausible Economies c/o Company Drinks, 2018
Biographies
Lina Džuverović
Dr. Lina Džuverović, a curator and academic based in London where she leads the MA in Curating and Collections at Chelsea College of Arts, University of the Arts. Her research focuses on collectivity and labour in contemporary art, which she investigates though the ongoing project ‘And Others: The Gendered Politics and Practices of Art Collectives’ (https://artcollectives.org/). Curated and co-curated exhibitions include: ‘Hope is a Discipline’, 60th October Salon, (Belgrade, Serbia, 2024), ‘Monuments Should Not Be Trusted’ (Nottingham Contemporary, 2016), Sanja Iveković – ‘Unknown Heroine’ (South London Gallery/Calvert 22, 2012), and the 5th Nordic Contemporary Art Biennial (Norway, 2009). She has worked in a range of academic and curatorial roles and co-founded the arts organisation Electra in 2003. She has received numerous awards, including the Bard College Center for the Arts and Human Rights Faculty Fellowship, AHRC Collaborative Doctoral Award for her PhD at Tate/Royal College of art and Arts Council England’s Mid-Career Curatorial Award.
Kathrin Böhm
Kathrin Böhm works as an artist and organiser across interdependent realms of cultural production, including the art world. Her organisational and spatial work supports collective forms of (re-)producing public space, reclaiming the economy for more-than-capitalist futures, and enabling a new trans-localism that acknowledges the rural. As a researcher, she contributes to the broader topics of New Economies, Cultural Democracy, Usership of Art and Commons-based World Building.
Kathrin is a founding member of the international artist initiative Myvillages (since 2003), the art and architecture collective Public Works (active 1999 - 2012), and the art-led action group Keep it Complex – Make it Clear (2016–2020). She initiated the Haystacks series (2013), community arts enterprise Company Drinks(2014), the Centre for Plausible Economies together with Kuba Szreder (2018) and Myvillages’ Rural School of Economics together with Wapke Feenstra (2020).
With thanks to
