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The Violence of Money: Lina Džuverović in conversation with Kathrin Böhm

DatesSat 6 Jun 2026
Times2pm
SpaceRiver Rooms (and live on Montez Press Radio)
PricePay What You Can

This event is part of the Artists' Fair 2026

A frank and informative conversation confronting the practical realities of financially making it work as an artist. This discussion aims to demystify investing, saving and what to do with your money, exploring how artists might better support their future selves and secure stability in later life.

Image credit: Here Come the Ants, page from London’s Artworld Economies, publication by Rosalie Schweiker, commissioned by Centre for Plausible Economies c/o Company Drinks, 2018

Biographies

Lina Džuverović

Dr Lina Džuverović is a curator and academic based in London. Lina's research has centered on explorations of gendered divisions of labour within art collectives under the umbrella project And Others: The Gendered Politics and Practices of Art Collectives, which has been supported by Birkbeck School of Arts strategic research funds and a Faculty Grant by the Center for Human Rights & the Arts at Bard College. Previously Lina was Lecturer in Arts Policy and Management at Birkbeck University and Lecturer in Fine Art the Reading School of Art, University of Reading. Between 2011 and 2013 she was Artistic Director at Calvert 22 Foundation. Prior to this she spent seven years as Director of Electra, a London-based contemporary art organisation which she co-founded in 2003. In 2006 Lina was named the 2006 Decibel Mid-Career Curatorial Fellow by Arts Council England (an award given to one curator every two years) and received this prestigious award towards professional development and R&D of a major exhibition.

Kathrin Böhm

Kathrin Böhm works as an artist and organiser across interdependent realms of cultural production, including the art world. Her organisational and spatial work supports collective forms of (re-)producing public space, reclaiming the economy for more-than-capitalist futures, and enabling a new trans-localism that acknowledges the rural. As a researcher, she contributes to the broader topics of New Economies, Cultural Democracy, Usership of Art and Commons-based World Building. Kathrin paused initiating new projects, and began a process of “composting” her work to date, in order to generate “fertiliser” for evolving long-term, collective, and commons-based infrastructures she is involved with. She currently holds an art professorship at the Economics Department/Alanus University, and is a member of the Community Economies Institute.

With thanks to

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PHF