Acclaimed for capturing the unseen stories of individuals and communities displaced by conflict and unrest, Alaoui’s photography offers an intimate portrait into rich cultural identities and resilient societies facing uncertainty. The subjects of Alaoui’s works are pictured across the contemporary Mediterranean-landscape and beyond, from Syrian refugees fleeing civil war in Lebanon to young North Africans seeking an alternative future in Europe.
In 2016, whilst working on a women’s rights campaign with Amnesty International, Alaoui was caught in gunfire during a terrorist attack in Ouagadougou, Burkina Faso, and three days later died of her wounds. Honouring Alaoui's photographic practice, the exhibition includes three of Alaoui’s defining series of works - Les Marocains, No Pasara and Natreen, as well as Alaoui’s final unfinished video work L’Île du Diable (Devil’s Island), exploring the lives of a 1960s generation of dispossessed migrant workers in France.
The discussion will reflect on Alaoui’s photography, which shows great sensitivity towards her subjects. Alaoui’s images are both informed yet artistic, giving a human face to the people who often become lost and misrepresented behind waves of news coverage and statistics.
